Anini Raka Resort Hotel Ubud Bali
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ANINI RAKA RESORT AND SPA

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Campuhan area or Tjampuhan in old Indonesian orthography is a place that is considered a holy and magic spot by the local people. The existence of Oos river's tributary with other river is the first element that makes the area a holy place as the reflection of Balinese spirit of respecting the nature. This spirit continues to live although the influence of Hindu has been soo strong, which is according to classic opinion as animistic or idiolitric which is gaining place in this modern time that human being who do not respect elements of nature will damage their environment.











Aniniraka Resort is a combination of modern style and traditional Balinese touch. The resort is surrounded by lush tropical garden facing to rice fields. Feel the freedom on the resort luxurious modern style pavilions with paddy rice field view to refresh your body and soul.

Location
AniniRaka Resort and Spa Ubud is situated about 2 km out of Ubud. AniniRaka Resort and Spa Ubud uniquely set amid rice paddies. AniniRaka Resort and Spa Ubud offers tranquillity and relaxation with a distinctive and authentic local Balinese touch. The exotic AniniRaka Resort and Spa Ubud is surrounded by tropical garden with panorama view of rice field.

Guest rooms
AniniRaka Resort Spa Ubud totally has 11 rooms consisting of 4 superior pavilion, 5 deluxe pavilion, 2 suites pavilion. All rooms and suites at AniniRaka Resort Spa Ubud are rice field view, has private balcony and fully equipped with Individual controlled air conditioned, Hot cold running water, Color TV, Fridge in Deluxe and Suites only, Free daily 2 bottles of mineral water, Bath tube and shower.

Public facilities
Anini Raka Resort offers a standard facilities covering Restaurant and Bar, Spa, Meeting Room, Swimming Pool, Jacuzzi, Sauna, Laundry and Dry Cleaning, Safety deposit boxes at the lobby, Airport Transfer, 24 hours doctor on call, AniniRaka Resort and Spa Ubud also serving business service center, so you can deal any kind business from our place. The facilities will be set up personal computer, facsimile, overhead projector, line internet, temporary secretary and many guidance procedures, etc, AniniRaka Resort and Spa Ubud also accept any person / expert who have a business in Bali, but needed place likely hotel but not in hotel's tariff, for staying a month or longer or even a year with reasonable price.

Family plan No charge for 2 children under 12 years old sharing same room with parents without using an extra bed. There is an extra charge for children's meals staying together with parents at AniniRaka Resort and Spa Ubud. Check-out time 12.00 noon. Electric power 220 Volt. Credit card accepted Visa, Master, JCB Card.

As the center of Balinese art covering typical Ubud painting style, wood carving, dances, music and the new handicraft design both creative and imported art Ubd has become the only area in Bali where their population live a large part of their time in producing articles. The existence of art has encourage the economic development of the area and attracted various people from other parts of Indonesia and even from other countries.

Room rates valid until 31 March 2013
Room type Publish rates ++ Internet rates
Superior
Deluxe
Raka Suite
Anini Suite
Extra person
US$ 110.00
US$ 125.00
US$ 145.00
US$ 165.00
US$ 35.00
US$ 96.00
US$ 108.00
US$ 120.00
US$ 138.00
US$ 27.00
Surcharge US$ 16.00/room/night for July-August, 23 December - 4 January.
For Special rate or booking, please click and send this inquiry
ANINI RAKA RESORT AND SPA
Tjampuhan Ubud Gianyar Bali Indonesia
Book Best Rates
BALITOURING RESERVATION
Serve on line booking since January 2003
Phone + 62-361-463447 Fax + 62-361-463447
Tari Pendet

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SEE UBUD detailed MAP

Amed - Tulamben - Bedugul - Candidasa - Jimbaran - Kintamani - Krobokan - Kuta - Legian - Lovina - Lembongan
Nusa Dua - Seminyak - Tuban - Ubud - Padangbai
UBUD FAME COMES FROM ART

Ubud is around 30 km from Denpasar and around 10 kms from Batuan. The style appeared in Ubud has almost the same as the patterns at Batuan. The object of painting in Ubud at the beginning were not only gods, demons, and Balinese dances but it was extended to people, nature, animal, and specific view of ceremonies. It looked that the artists had thought beyond the old manuals. The freedom in choosing the object will automatically followed by consequences that old limited patterns couldn't meet the new choice of object. The picturing of complete environments for example will demand a complete skill of painting all entities existing in a given scenery. A scenery may covers houses, roads, trees, palm, shrub, water pits, rice field, animals, flowers, people and others. A view of a ceremony for example will consist of dozen of objects, as a unit of a scenery. But sill here, the so-called-space dimension or perspectives was not yet taken into account. The concept of detail work up to the dot is still preponderant.That is why an object of trees for example which is very far away at the background we still can count the number of it's leaves. A pig far away we can still observe it's black-yellow kniles. By the coming of Western painters such as Walter Spies, a German painter in 1926, and Rudolf Bonnet, a Dutch artist in 1928, a new concept of painting influenced Ubud. The main concept was coming from realism. Here the introduction of space dimension, perspective, lighting, and reality become the main techniques of shaping the object. The object is shown within the context of the others in a given space. Here the function and skill of manipulating the light is the most important aspect. The introduction of space dimension was not limited to two dimensions but already three dimensions, which give the object as it is a single and real entity. The contribution R. Bonnet and Walter Spies in the development of Ubud painting have brought influences on development also on the carving art. Two famous carving styles emerged, those are “ Cokot” and I.B. Nyana styles. “Cokot” style was developed by Balinese I Gst Nyoman Lempad, he used the material as it is natural such as roots, or artistic part of natural wood to becarved. While I.B. Nyana developed a style of flat and elongated, so some times a human carving look like snake see more